Could a superhero movie actually go the distance this year?
The Sundance directing award winner brings Winnie Madikizela-Mandela out of her ex-husband’s shadow.
Pixar is back. After two sequels (Finding Dory and Cars 3), the animation giant has once again turned their flare and ingenuity to an original creation. Coco displays much of the narrative dexterity we’ve come to expect from the studio, with the addition of a distinct cultural heritage.
Aspect ratios killed the dino-awe.
“Lyrical, perfectly performed and bitingly relevant, Netflix’s She’s Gotta Have It series is all Spike Lee and it’s glorious.” My full review of Spike Lee’s She’s Gotta Have It series for VODzilla.co.
“With the release of Star Trek: Discovery […] 2:1 [aspect ratio] is about to reach a new level of exposure.” For Vodzilla.co.
“It doesn’t matter how good the movie is, no film makes an estimated $117m (!) on opening weekend without an equally strong marketing campaign and IT had one of horror’s best in recent years.” For Bloody Disgusting.